Friday, 17 August 2012

The Exciting Guide presents MARCO POLO

The fourth Doctor Who story begins a big problem with the 1960s - namely, the absence of entire stories or individual episodes from the BBC archives. So I am obliged to cover stories like "Marco Polo" without seeing them.

A reminder - I began this in 1998. I didn't even have a permanent internet connection and even if I had had one, there would not have been the vast array of resources and reconstructions that exist today. So I had to rely on Target novelisations, The Television Companion and past issues of Doctor Who Magazine.

With that in mind, let's see what I had to say about "Marco Polo" in early 1999.

Quick reminder of the links:
For previous posts, you can scroll around this site, or go to my Facebook page (http://www.facebook.com/ExcitingGuide) which will link only to those parts of my blog devoted to the Exciting Guide. Quick link to the intro here: http://chapwithwings.blogspot.co.uk/2012/02/watching-every-tv-adventure-of-doctor.html



Story Four
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Story Code
D

Title
Marco Polo
Anyone claiming this should be called Journey To Cathay is just being picky now.

“Friends” Title
The One With The Mongols
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Episode Titles
The Roof Of The World
The Singing Sands
Five Hundred Eyes
The Wall Of Lies
Rider From Shang-Tu
Mighty Kublai Khan
Assassin At Peking

Current availability
Not even slightly available.  The first casualty.

Sources
Doctor Who Magazine Archive, Issue 240.  Certain elements have also been taken from John Lucarotti’s novelisation, Marco Polo.  I have noted these elements wherever used, as it is difficult to ascertain which bits come from the series as shown on TV, and which bits were made up on the spot.

----------------------------------------------------------------------------------------------------------------------------
Date
1289 A.D.
As specified.  DWM suggests it takes place between mid-April and September 1st.

Genre
Historical

Plot synopsis
1.         The Doctor discovers that a burnt-out circuit has disabled the TARDIS’ heating, lighting and water supply, and repairs will take days.  The travellers promptly run into Mongol warriors, and are saved from summary execution by a European man called Marco Polo:  they have clearly landed on Earth in the past.  Polo’s companions include Mongol warlord Tegana, on a peace mission from Noghai to the court of Kublai Khan, and Ping-Cho, a young girl on her way to marry a 75-year-old man.  The travellers join the caravan in his journey across the Gobi desert, but Polo confiscates the key to the Doctor’s “flying caravan”, intending it as a present to Khan in exchange for freedom from service.  Meanwhile, Tegana collects poison for the water supplies from an associate, and they plot to steal “the thing of magic that will bring the mighty Kublai Khan to his knees.”
2.         Days later, Susan and Ping-Cho follow Tegana out of suspicion, but there is a sandstorm, and they eventually have to be escorted back to camp by Tegana himself.  The next night, the warlord cuts open the water gourds, which Polo blames on bandits.  En route to an oasis six days away, the remaining water runs out.  The Doctor collapses, and is allowed into the TARDIS with Susan.  Tegana rides on to the oasis, but has no intention of returning.
3.         The party is saved by condensation forming inside the TARDIS.  They reach the oasis, where Tegana claims to have been hiding from bandits.  They continue to Tun-Huang.  Polo reclaims the TARDIS key, but the Doctor is completing a copy.  As Ping-Cho tells a story, Tegana slips away to meet his Mongol cohorts, Acomat and Malik - their forces are waiting at Karakorum.  Barbara follows him, and is captured.  During the ensuing search, the Doctor, Susan and Ping-Cho visit the Cave of Five Hundred Eyes, and Susan screams as she sees one pair of eyes move.
4.         Others arrive, and a secret room is revealed, containing Barbara and her Mongol captor, who is swiftly dealt with by Polo.  Tegana denies his own part in the affair.  The journey continues along the Great Wall of Cathay.  Tegana arranges an ambush with Acomat, and helps Polo catch the Doctor working in the TARDIS:  the second key is taken.  Ian tries to steal it back, but finds the man guarding them has been stabbed.
5.         Ian warns Polo, and the ambush is a failure - Tegana kills Acomat himself to prevent betrayal.  The caravan continues, and a courier, Ling-Tau, summons Polo to the Khan without delay.  Preparations are made at Cheng-Ting to leave on horseback, but Ping-Cho steals the TARDIS keys, and the travellers try to make good their escape.  Unfortunately, Tegana has been planning to steal the Ship, and he grabs Susan as she approaches it.
6.         Polo once again arrives and confiscates the keys.  The horseback ride begins.  The following night, Ping-Cho runs away to escape her marriage, and Ian goes after her, discovering along the way that the TARDIS has been stolen (by one of Tegana’s associates).  Polo sends Tegana after Ian and Ping-Cho, and himself reaches the Khan’s palace with the remaining travellers in tow, and the elderly Khan befriends the Doctor.  Tegana catches up with Ian and Ping-Cho, and advances with his sword drawn.
7.         Ling-Tau arrives, and Tegana causes his intended victims to be arrested for stealing the TARDIS.  They all travel to the palace, where Tegana turns the Khan against Polo.  Ping-Cho hears that her intended husband has died after drinking a youth elixir, and the Doctor gambles with the Khan, and loses the TARDIS in a game of backgammon.  The time-travellers uncover Tegana’s plan to assassinate the Khan and allow Noghai’s forces to attack.  Polo protects his ruler, and defeats Tegana in a swordfight.  The warlord commits suicide, and the travellers are allowed to leave in the TARDIS.

Pitch
A trek across the world with all the epic qualities of The English Patient and lots of escape attempts.

The Money Shot
Obviously, this is extremely difficult to name, having not seen a single shot.  From reading the summary, though, Tegana’s betrayal at the oasis stands out.  “Here’s water, Marco Polo.  Come for it!”  (Episode 2)

The Doctor and his kind
• The Doctor is adept at backgammon.
• Susan claims that she and the Doctor have had “many homes in many places” and have been travelling for “a long time.”
• She also claims to be sixteen years old, like Ping-Cho.  Surely this cannot be accurate?  How long can they have been travelling?  Was she a child when they left their home planet?  Are we talking sixteen Earth years or not?

The TARDIS log
• A single circuit appears to control (or at least influence) heating, lighting and water in the TARDIS.  A bit of an eggs and basket situation, surely?
• The novel unsubtly refers to the above circuit as an “omni-electrometer.”  One can only presume that the Big Red Self-Destruct Button is working fine.
• Whatever the answer to the mystery of the Ship’s dimensions, they do not prevent the formation of condensation inside it.
• The Doctor is able to make a copy of the TARDIS key.  Susan’s comments in The Daleks about its complexity are, however, held up by his possibly over-dramatic warning to Polo that if he puts the key in the lock he will destroy the Ship.
• Condensation forms in the TARDIS when the hot air cools during the night.  So why aren’t the walls dripping with water when the Ship’s hanging around in mid-space?  It’s rather cold there as well.  Maybe the TARDIS forcefield, or whatever, is one of today's faulty items.

Past Journeys
• Susan’s claim to have had “many homes in many places” presumably suggests that she and her grandfather were travelling for a long time before holing up in 1963.

The history of Earth
• The journeys of Venetian explorer Marco Polo, and his links to the court of Kublai Khan are a well-established historical event:  my Junior Pears Encyclopaedia claims he journeyed through China (or Cathay), India and other parts of Asia from 1271-94, and Barbara (a history teacher, remember) is familiar with his story.
• The history books fail to note that one of Polo’s journeys was infiltrated by a Mongol warlord called Tegana, whose plan to kill Kublai Khan was foiled by a group of time-travellers who owned a flying caravan.

Alien Worlds
• According to the novelisation, Susan alludes to “the metal seas of Venus.”

Script Heaven
• Susan “One day, we’ll know all the secrets of the skies, and we’ll stop our wanderings.”
• Polo “On my travels to Cathay, Ian, I have come to believe many things I’d previously doubted.  For instance, when I was a boy in Venice they told me that in Cathay there was a stone that burned.  I did not believe, but there is such a stone - I have seen it...And if stone burns, why not a caravan that flies?  Birds fly;  I have even seen fish that fly.  You are asking me to believe that your caravan can defy the passage of the sun?  Move not merely from one place to another, but from today into tomorrow, today to yesterday?  No Ian, that I cannot believe.”

The Doctor’s Achievement
• If it were not for the Doctor and his crew, it is arguable that Kublai Khan would have died at the hands of Tegana, Noghai would have become Emperor of Cathay, and the history of the East might have been quite different to how we now know it.

Things I learned from Doctor Who
• The origin of the word “assassin”
• The facts about condensation
• Rarefied air causes water to boil at a lower temperature

Body Count
Difficult to tell without being able to watch the episodes.  From the plot summary and the novelisation, we know of the Mongol in the Cave of Five Hundred Eyes, two sentries, the Khan’s personal secretary and Acomat (all slain by Tegana), Tegana himself and, I suppose, Ping-Cho’s fiancĂ©.  But there are also presumably numerous Mongols in the ambush, and maybe some more in the final episode.  At a rough guess:
8.

Screams / Twists Ankle
• Oh, I’ve Been Captured Tally:  1.  There’s a perfect one of these in episode three, with Barbara as the hapless victim.

Don’t move!  Or the girl gets it!
Barbara and Susan are both grabbed by Mongols during this story, but I have no evidence to suggest that any variation of the above immortal line was uttered.

Checkov’s Plot Device
Not at all.  The baddy is killed with a sword.  Very simple.

Irrelevant Escape Attempts
The travellers attempt to sneak into the TARDIS, but thanks to Tegana’s intervention, Polo catches them and confiscates the key. (Episode 4)
The travellers attempt to sneak into the TARDIS, but thanks to Tegana’s intervention, Polo catches them and confiscates the key. (Episode 5/6)

Whoops
• Marco Polo was almost certainly not in this geographical location in 1289, meaning that writer John Lucarotti and Barbara are both wrong.  Charitably, of course, Lucarotti has just chosen to present a “fictionalised” account in a historical setting.  Nothing wrong with that.

Notes
• The events of An Unearthly Child took place over two days, those of The Daleks over three or four, and those of The Edge Of Destruction a matter of hours.  Marco Polo takes an estimated four to five months, marking a considerable change of pace for the programme.
• Another departure for the series is the use of linking narration (by Mark Eden in character as Marco Polo) over film of a parchment map showing the journey as it progresses.
• It’s worth reprinting the following claim from DWM:
“The Ping-Cho sub-plot was based on Marco Polo’s escorting of the seventeen year-old Princess Kokachin to wed Arghan, the Ilkhan of Persia.  Arghan was the grand-nephew of the Khan, and it had been his wife’s dying request that a girl from her own Mongol tribe should take her place - the message reaching the Khan in 1288.  The bridal party had left for Persia in 1289, only to be turned back by war amongst the Tartars.  After Polo’s return from the Indies, he and his family were allowed to leave the Khan’s service and escort Kokachin’s party, departing in 1292.  On arrival in Persia, Kokachin was to find her elderly fiancĂ© had died - as did Ping-Cho in the serial.”  Other elements of the serial were apparently based on Marco Polo’s memoirs, The Description Of The World.
• The Doctor hardly appears in The Singing Sands.  This is largely due to ill health on William Hartnell’s part.
• Since An Unearthly Child, the issue of leadership seems to have been resolved.  Marco and Tegana, according to the novelisation, both accept without question that the Doctor “commands” his party.
• Susan’s comments suggest they have visited Venus before.  The Doctor’s comments about tailors in Han-Chow and coffins in Lu-Chow show more than a passing familiarity with ancient Cathay:  can they have been here before?  (These snippets of dialogue are taken from the novelisation)
• According to the novelisation, the Doctor leaves Kublai Khan with “the key to the world” - a duplicate TARDIS key.

Queries
• Just how old is Susan?  Come to that, how old is the Doctor?
• The TARDIS crew know exactly where and when they have just been - Peking, 1289.  Does this mean the Doctor can now steer the Ship correctly, as he stated many episodes ago, and take Barbara and Ian back home?  Does he even want to?

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On-screen Credits
Taken from DWM.
CAST
Dr. Who - William Hartnell, Ian Chesterton - William Russell, Barbara Wright - Jacqueline Hill, Susan Foreman - Carole Ann Ford, Marco Polo - Mark Eden, Tegana - Derren Nesbitt, Ping-Cho - Zienia Merton, Man At Lop - Leslie Bates (1), Chenchu - Jimmy Gardner (3-4), Malik - Charles Wade (3), Acomat - Philip Voss (3-4), Mongol Bandit - Michael Guest (5), Ling-Tau - Paul Carson (5,7), Wang-Lo - Gabor Baraker (5-6), Kuiju - Tutte Lemkow (5-7), Vizier - Peter Lawrence (6-7), Kublai Khan - Martin Miller (6-7), Office Foreman - Basil Tang (6), Empress - Claire Davenport (7).
CREW
Written by John Lucarotti.  Title Music by Ron Grainer with the BBC Radiophonic Workshop.  Incidental Music by Tristram Cary.  Sword Fight arranged by Derek Ware (7).  Costume Supervised by Daphne Dare (7).  Make-up Supervised by Ann Ferriggi (7).  Story Editor - David Whitaker.  Designer - Barry Newbury.  Associate Producer - Mervyn Pinfield.  Producer - Verity Lambert.  Directed by Waris Hussein (1-3,5-7); John Crockett (4).

Familiar Faces
Mark Eden was later to become a regular in Coronation Street.
You may also recognise Zienia Merton from Space: 1999.

Review
The plot summary makes this seven-episode epic look like a real drag:  a whole story full of people travelling from one bit of desert to another, Tegana snarling and plotting every other minute, and endless attempts to get the TARDIS key back.  Its reputation, however, leaves the mouth watering, because everyone seems to think this is, to quote John Peel, “one of the true classics of television” (taken from The Television Companion).  I suspect the story’s saving graces are in production values, dialogue and direction, exactly the aspects robbed from us by the loss of the episodes.  So, I shall reserve judgement.

Rating
6 / 10 

Sunday, 12 August 2012

The Arthur Dent Paradox

Writing a show about time travel can mess with your head. It can also, if you're not careful, rob your stories of any sense of real jeopardy. If people are paying enough attention.

Let's begin with The Visitation, in which the Fifth Doctor accidentally starts the Great Fire of London. No reason why not. But consider the fact that the Fourth Doctor has heard of the Fire in Pyramids of Mars; St Paul's Dome is visible in The Invasion; and Monument Tube Station appears in The Web of Fear. So, the Great Fire had already happened, before the time traveller made it happen.

It's even more explicit in new season 3. The Master regenerates in Utopia. He speaks his first words and Martha, overhearing them, recognises his voice. He then goes back in time and becomes Harold Saxon and runs for office: which Martha and Jack knew all about before Professor Yana is woken up.

This does rather suggest a form of predestination. The Family of Blood couldn't kill the Doctor in episode 9 of season 3 because the effects of his actions in episode 11 had already been shown in episode 6. Indeed, once the 2nd Doctor knows about the Monument, he's presumably safe until The Visitation. Farewell jeopardy.

I don't know if this has a name, but I'm going to call it the Arthur Dent paradox. In Life, The Universe and Everything (book 3 of Hitch Hiker's), Arthur learns that one day, he will visit Stavromula Beta and accidentally cause the death of a man called Agrajag. Throughout the next two books, he is calmly convinced that he can't die until he has visited Stavromula Beta. It's only logical and, what's more, true: when he does (apparently) die at the end of Mostly Harmless, it's shortly after the Stavromula Beta experience, which is not quite what he'd imagined.

This has caused problems. When writing The End of Time, Russell T Davies realised that, thanks to a gag at the end of The Shakespeare Code, the Tenth Doctor had to meet and offend Elizabeth I before he could regenerate. Hence a few lined crowbarred in and unfortunately referenced more than once since.

More seriously, the plot of The Impossible Astronaut required the audience to believe that Amy, Rory and River believed the Doctor was dead. But we know River has a diary of all her encounters with him, so she'd know this can't be the end. Which meant Moffat had to write a scene making it clear that they've done everything now, including Jim the Fish.

But in that case, clearly River's entire relationship with the Doctor is with the Matt Smith version. And she seems to have only met another incarnation once: on the day she died. Strange how she didn't remark on this.

Yeah, it messes with your head. But, like Arthur Dent, it also makes the Doctor invincible. He was perfectly safe from acid rain at Christmas because he hasn't visited the fields of Trenzalore! Thanks to Dorium's future knowledge, his safety is assured.

But then he was already safe. He hasn't been Merlin yet!

Friday, 10 August 2012

The Exciting Guide presents THE EDGE OF DESTRUCTION!

So it's time for Doctor Who's third story. For previous posts, you can scroll around this site, or go to my Facebook page (http://www.facebook.com/ExcitingGuide) which will link only to those parts of my blog devoted to the Exciting Guide. Quick link to the intro here: http://chapwithwings.blogspot.co.uk/2012/02/watching-every-tv-adventure-of-doctor.html


Story Three
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Story Code
C

Title
The Edge Of Destruction
There is no entirely satisfactory title for this story.  The one I have used is quite clearly the title of the first episode alone, while the allegedly more accurate Inside The Spaceship is just crap and sounds like a documentary.

“Friends” Title
The One Inside The Spaceship
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Episode Titles
The Edge Of Destruction
The Brink Of Disaster

Current availability
Both episodes exist.

Source
UK Gold omnibus repeat transmission.
The UK Gold template for these repeats tends to be a complete omnibus edition, with the only omissions being those necessary for the format - the closing and opening titles between episodes, and often the reprises.
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Date
This takes place entirely inside the TARDIS, which is not really in any time at all.

Genre
Psychological Thriller

Plot synopsis
1.         The crew recover one by one from the explosion with temporary lapses of memory.  Odd things start to happen - the TARDIS doors open by themselves, the food machine claims to be out of water but isn’t, Susan is electrocuted by the console and faints.  The Doctor rebuffs speculation that something may be inside the TARDIS with them, maybe even inside one of them, as “absurd theories.”  Everyone seems to be acting oddly, however - Susan attacks Ian with a pair of scissors.  The Fault Locator claims nothing is wrong, and the scanner shows a sequence of images while the doors open and close.  The Doctor throws suspicion on Ian and Barbara, but the confrontation is brought to a halt by the clocks in the Ship suddenly all melting.  The Doctor changes his tune and hands out drinks:  thanks to a “mild sleeping draught” they are all soon asleep in bed.  The Doctor approaches the console, but is attacked from behind.
2.         Ian is apparently trying to strangle the Doctor, but faints.  The Doctor determines to throw the humans off the Ship, despite Barbara’s protestations that something is affecting everyone.  The Doctor is forced to admit to misjudging them when a loud alarm sounds - this is the “danger signal”.  The Fault Locator now registers failure on every single instrument, and the Doctor announces they have ten minutes to live, though admits to Ian it is really only five:  the Ship is on the verge of disintegration.  They manage to piece the clues together - the images on the scanner represent their journey, halted by the TARDIS defence mechanism to protect the Ship from an enormous explosion.  The Doctor realises they are on course for the birth of a new solar system.  The Fast Return switch is stuck down - the Doctor fixes it and the Ship returns to normal.  After apologies have been exchanged, the TARDIS lands on a planet where the air is good but it is very cold.

Pitch
Like The Haunting in space, without being crap.  More like Event Horizon, really, but with a less OTT ending.

The Money Shot
Susan stabs her bed over and over again - a surprisingly brutal and effective scene, bringing to mind scenes from two classic horror movies (namely Psycho and The Exorcist.)  (Episode 1)

The Doctor and his kind
• Ian notes that the Doctor’s “heart seems all right, and his breathing’s quite regular.”  This suggests that the physiology of the Doctor and Susan’s race is similar to that of Humanity.
• The Doctor’s ambiguous moral stance is underlined when Ian asks him if he is working for good or evil, and gets no direct answer.

The TARDIS log
• The TARDIS has a built-in defence mechanism.
• It can withstand tremendous forces - even, for a certain period of time, those present at the creation of a solar system.
• Susan claims it is impossible for the Ship to crash.
• The “heart” of the Ship - its source of power - is directly beneath the central column.  If the column were to come out, the power would be free to escape.
• The TARDIS has a memory bank which records their journeys.
• When an instrument in the Ship goes wrong, a valve lights up in the Fault Locator to indicate the problem.  If the whole thing were to light up, it would mean the Ship was on the point of disintegration.
• The Food Machine has an entire section set aside on its panel for water, which is dispensed in plastic bags.
• The TARDIS’ inhabitants are expected to sleep on odd couch/beds that come out from the wall.
• The TARDIS isn’t much for privacy:  you can stroll right through the bedrooms, which are directly adjacent to the console room.
• Barbara suggests that the Ship can think for itself.  The Doctor refutes this.
• The Fast Return Switch (which is positioned near the scanner switch) will send the TARDIS back through time until released.  It is unclear whether there is also a Fast Forward switch.

Past Journies
• A few journeys back, the Doctor and Susan nearly lost the TARDIS on the planet Quinias.

Alien Worlds
• The planet Quinias (which appears on the scanner) is a dangerous jungle planet that is apparently in “the fourth Universe.”  You mean there’s more than one of them?

Script Heaven
• Barbara “How dare you?  Don’t you realise, you stupid old man, that you’d have died in the Cave of Skulls if Ian hadn’t made fire for you?  And what about what we went through against the Daleks, not just for us, but for you and Susan too, and all because you tricked us into going down to the city.  Accuse us!  You ought to go down on your knees and thank us!  Gratitude’s the last thing you’ll ever have...or any sort of common sense either!”
• Ian “I wish I could understand you, Doctor.  One moment you’re abusing us, and the next you’re playing the perfect butler.”
• The Doctor “One man’s law is another man’s crime.”
• This is a good line, but marred by William Hartnell’s uncharacteristic fit of ham-acting.  The director clearly wants it to be good, as well:  note the lighting.
“I know.  I know.  I said it would take the force of a total solar system to attract the power away from my Ship.  We are at the very beginning.  The new start of a solar system.  Outside, the atoms are rushing towards each other, fusing, coagulating, until minute little collections of matter are created.  And so the process goes on and on until dust is formed.  Dust then becomes solid entity:  a new birth of a sun and its planets!”
• The Doctor “You know, my dear child, I think your old grandfather is going a tiny little bit around the bend.”

Script Hell
• The Doctor [to Susan] “Well, I think you were very brave, and I was proud of you.”  She hasn’t been to the dentist!
• The Doctor “Susan has left you some wearing apparel for outside.”  You mean clothes?
• This seems an unrepresentative sample, but in fact the dialogue in this story is nowhere near as bad as it seems to be - it is the off-day performances from the regulars that lower its tone.

Name-dropping
• The Doctor claims to have met Gilbert and Sullivan, and obtained Ian’s startling item of winter protection from them.

Body Count
Zero.

Screams / Twists Ankle
• Susan shows a knack for eavesdropping in this story (although, to be fair, it’s not as if anyone is acting like themselves.)

Hypnotised left, right and centre (and friends)
• Susan and Ian’s behaviour under TARDIS influence counts as the first time the series uses some form of hypnotism.
• Hypnotism:  1 instance.

The TARDIS wardrobe
• The Doctor mentions that the Ship has an extensive wardrobe.  The examples of this pulled out here include some winter woollies, an enormous all-encompassing poncho thing Ian wears and several natty sets of pyjamas, dressing-gowns and flip-flop slippers.

Dudley!
• The scene where Susan attacks the bed with the knife is accompanied by screeching music reminiscent of the Alfred Hitchcock film Psycho, released four years earlier.  (The composer is uncredited)

Notes
• There is some truly horrendous acting throughout this story, notably from Carole Ann Ford.
• Ian’s opening words to Barbara (“You’re working late tonight, Miss Wright.”) recall his opening words to her in An Unearthly Child (“Not gone yet?”)
• Dialogue in this story suggests that controls on the console are in specific places, and not variable as previously suggested in this Guide.  If we are to continue being charitable, perhaps it is only certain items such as the Fast Return and Scanner switches that are fixed.  Certainly it is still possible that the Doctor needs to activate the Ship a different way each time to take off - the Fast Return Switch itself is an example of a control that would not be needed every time.
• During the Doctor’s semi-conscious ramblings, he says “I can’t take you back, Susan.”  Is this a conversation he has had with Susan?  Does he mean to 1963, or to their home planet?  If the latter, does this suggest he spirited her away from home much as he did from London?
• The Doctor spends the whole story with a bandage wrapped around his head.  There is ointment in its coloured segment:  when the colour has gone, the wound is healed.
• Note how the TARDIS booms every time they guess correctly.
• Why does the Doctor have to give such an over-simplified explanation to Susan?  She’s not stupid.
• Gilbert and Sullivan clearly didn’t teach the Doctor anything about acting:  with his “Yes, we must solve this problem, you know, we must” he again proves his inability in this field.
• Why doesn’t the Doctor wrap up like everyone else on the cold planet?  Surely he’d feel the cold more than most.
• The Doctor’s discomfort when called upon to apologise is beautiful.
• The Doctor has come to believe he has underestimated Barbara in the past (or, at least, that’s what he says.)
• Following up what is clearly a running joke from the previous story, the Doctor refers to Ian Chesterton as “Charterhouse.”
• The experience seems to bring the TARDIS crew closer together.
• The sequence repeated by the TARDIS is as follows:  a picture of England - doors open;  a picture of Quinias - doors close;  pictures of a planet drawing back to see the entire solar system;  an enormous explosion.

Queries
• It seems believable that the Ship’s defence mechanism can use the instruments to warn the crew of danger, but how does it manage to melt the clocks and Ian and Barbara’s wrist watches?  And how does it affect the passengers’ behaviour?
• What exactly is all this business about making them aware of time?  It all seems a somewhat obscure way to go about getting the message across.
• Is the Ship alive?
• Exactly how many Universes are there?

----------------------------------------------------------------------------------------------------------------------------
On-screen Credits
Taken from The Television Companion.
CAST
Dr. Who - William Hartnell, Ian Chesterton - William Russell, Barbara Wright - Jacqueline Hill, Susan Foreman - Carole Ann Ford.
CREW
By David Whitaker.  Title Music by Ron Grainer, BBC Radiophonic Workshop.  Designer - Raymond Cusick.  Associate Producer - Mervyn Pinfield.  Producer - Verity Lambert.  Directed by Frank Cox.

Review
For all its failings, this is an atmospheric story.  It’s hardly noticeable that the cast and settings are reduced to the bare minimum, and the action certainly doesn’t get boring, possibly thanks to the unusually short running length.  Granted, it doesn’t always make sense - the melting clocks, for starters - but the revelation of what has been going on all this time is a supreme moment of bathos.  Whereas The Daleks was possibly traditional SF story-telling (discovery of threat, lengthy expedition to neutralise it, big battle at end), this story warns the viewer not to expect the obvious, and at times to expect the downright obscure.  The relations between the crew are antagonistic and deliberately confusing for the audience, so it’s a shame that all the performances are unforgivably stilted, with Jacqueline Hill perhaps coming in for least criticism.  It’s a nice diversion from our expectations, and makes an effective coda to what has, in some ways, been a thirteen-part introductory story.  It’s tantalising to think, though, how much better it might have been with a little more time and money.


Rating
7 / 10

Sunday, 5 August 2012

The Exciting Guide to The Daleks

I'm allowed to change my mind. Having previously posted The Exciting Guide to An Unearthly Child (http://chapwithwings.blogspot.co.uk/2012/03/exciting-guide-to-unearthly-child.html) followed by The Exciting Guide to The Seeds of Death (http://chapwithwings.blogspot.co.uk/2012/06/exciting-guide-presentsthe-seeds-of.html), I was planning on carrying on this here-and-there flit through Doctor Who, probably moving on to a Pertwee next.

Since then, I've created a Facebook page (http://www.facebook.com/ExcitingGuide) which will link only to those parts of my blog devoted to the Exciting Guide. And I've decided to do it in order after all. So last week I re-posted the Unearthly Child blog, which means this week it must be time for The Daleks.

For those with no idea what's going on, the introduction is here: http://chapwithwings.blogspot.co.uk/2012/02/watching-every-tv-adventure-of-doctor.html


Story Two
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Story Code
B

Title
The Daleks
The alternative titles on offer are The Dead Planet, which is simply the title of the first episode, and The Mutants.  Although this last is apparently the more historically accurate title, I discount it for two reasons.  Firstly, it may cause confusion.  Secondly, The Daleks is the title by which most of us have always known it.  However, I don’t intend to go the route of the David Whitaker novelisation and call the story Doctor Who in an exciting adventure with the Daleks.

“Friends” Title
The One With The Daleks
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Episode Titles
The Dead Planet
The Survivors
The Escape
The Ambush
The Expedition
The Ordeal
The Rescue

Current availability
All seven episodes exist.

Source
BBC Video release.
This is complete other than the cliffhanger that leads The Rescue into the following story.

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Date
2350.
There is no way to place this story within an Earth time-scale, so I have picked an arbitrary date.

Genre
Alien War

Plot synopsis
1.         The Ship lands in a petrified forest.  The crew explore and discover a huge city.  They return to the Ship, but on the way Susan is frightened by a hand which touches her.  She is not believed at first, but from inside the Ship everyone hears a scratching sound.  The Doctor is apparently persuaded to leave, but he announces that the fluid links are empty.  The TARDIS will not move unless they try to get some mercury from the city.  The next morning, they leave the Ship to find a small container outside full of glass vials, which they leave in the Ship.  At the city, they split up.  Barbara is confronted by something that causes her to scream.
2.         The others find a lab, and the equipment there tells them that radiation is beyond the danger point, which is why they are all feeling ill.  The Doctor admits there is nothing wrong with the fluid link - it was a deception to get them to the city.  They are suddenly faced with four or more metal creatures, who fire at Ian and paralyse his legs when he tries to make a break for it.  The companions are reunited in a cell.  The creatures, known as Daleks, send Susan to the Ship to collect the drugs, secretly wanting them for themselves.  She reaches the TARDIS after a terrifying journey, then has to start back.
3.         Susan is intercepted by Alydon, a tall blond member of the Thal race.  He gives her an extra supply of the drugs to hide from the Daleks - they find it but allow the prisoners to use them.  Susan agrees to send a message to the Thals inviting them to the city for peace talks, not realising it is an ambush.  The prisoners manage to disable a Dalek by insulating it from the floor and its supply of static electricity.  They remove the revolting creature from its metal shell and Ian climbs inside,.  They escape from the cell.
4.         The companions barely escape the city.  Ian tries to warn the Thals, but their leader, Temmosus, is killed in the ambush.  The travellers try to persuade the Thals to fight for themselves, but they will not hear of it.  The crew make to leave, but realise that the Daleks have the fluid link.
5.         Ian convinces the Thals to fight to protect themselves.  The Daleks discover the Thal drugs are fatal to them, as they have become conditioned to radiation.  The Thals split into two groups.  The Doctor and Susan remain with Alydon and the main group to distract the Daleks, while Ian and Barbara go with a smaller party, led by Ganatus, to mount a sneak attack through the swamp and over the mountains.  One of the Thals on this expedition, Elyon, fills water bags from the lake and is attacked by a mutant creature.
6.         The Thals fox the Daleks’ cameras using light reflection so that the Doctor and Susan can sneak into the city.  They manage to short-circuit some of the Daleks’ power, but are instantly captured.  The Daleks reveal their plan to bombard the planet with radiation from their reactor in order to keep up the radiation levels.  Meanwhile, the expedition, minus Elyon, continues and reaches a chasm inside the mountain.  They all leap across, but Ganatus’ brother Antodus falls:  he hangs suspended, dragging Ian down with him.
7.         Antodus severs the rope and plummets to his death.  The rest of the group reach the city, and meet Alydon and the other Thals, who have mounted a full-scale attack.  They all reach the control room, and cut off the Daleks’ power two seconds before the countdown for the nuclear bombardment ends.  The Daleks all perish:  the last to die claims this is the end of the Daleks.  The Thals begin to use the inherited technology to rebuild the planet.  The TARDIS crew leave, but shortly after take off there is an enormous explosion.

Pitch
The Time Machine with metal robot creatures.

The Money Shot
Barbara is confronted by an unseen creature, and screams. (Episode 1)

The Doctor and his kind
• The Doctor claims he was once a pioneer amongst his own people.
• Ian says that the Doctor is the only one who can operate the Ship.  Susan does not object, so he has presumably never taught her fully.
• Susan describes the Doctor as “forgetful” and says he likes to “go off and...work on his own.”
• The negative aspects of the Doctor come very much to the fore in this story.  He stubbornly refuses to leave until he has seen the city, despite the potential danger, and even deceives everyone to get his own way.  When he discovers the Geiger counter in the city, he seems willing to abandon Barbara and Ian on an irradiated world to save himself.  He is also unwilling to help the Thals at personal risk to himself, just as he refused to help Za.
• The Doctor is a massive egotist:  “With me to lead them the Thals are bound to succeed.”
• The Doctor claims he never gives advice.  I suspect this to be a porky.
• The Doctor appears to know the food machine code for bacon and eggs off by heart!

The TARDIS log
• There is a meter in the Ship which can take over the controls and take you wherever you want to go as long as it’s fed with the right information.
• Part of the console’s workings involve small mercury-filled vials called fluid links.  The Doctor claims not to carry any spare mercury, and later discovers that this is true.
• The Ship’s Fault Locator displays codes to indicate what is wrong with the Ship.  The Doctor is able to immediately remember that K7 indicates the fluid links, but to be fair he has just sabotaged them.
• Susan’s explanation of the TARDIS lock makes it seem an incredibly complicated device.  There are 21 holes inside it, and only one right one.  If you make a mistake, the whole lock melts as a defence mechanism.  She also states that the whole lock comes away from the door when the key is used.  What this means is unclear, as it certainly has not been in evidence.
• The Doctor is willing to use the TARDIS key to short-circuit the Dalek electrical system, claiming he can always make another one.  What, without being able to get into the Ship?  How does this sit with Susan’s comments about the complexity of the locking system?
• The TARDIS’ food machine can mix tastes like primary colours and produce small bars which taste exactly like the real thing.  The code for bacon and eggs is J62L6.
• It is again proved that the TARDIS is not soundproof:  the crew can hear Alydon scraping the Ship’s exterior.

Alien Worlds
• Skaro is the twelfth planet in its solar system.
• The forest is petrified into stone.  The soil is also held to be dead, but the Doctor suggests it is less so than it may appear.
• Amongst the fauna of Skaro is a metal animal held together by magnetism and possibly able to use it.  Dyoni calls this creature a Magneton.
• A suspicious landmark is the enormous Dalek city, apparently intact after the nuclear explosion.  It has a distinctive angular design with low doors, seemingly endless corridors and a great many lifts, leading to the lower levels underground.
• At the rear of the city are mountains, swamps and a lake full of dangerous mutations.
• There is a great rainfall once every four or five years, which is a couple of years overdue at the time of the TARDIS’ visit.

Script Heaven
• Ian [about the Doctor] “We’d better keep an eye on him.  He seems to have a knack of getting himself into trouble.”
• Ian “My bacon’s a bit salty.”  The Doctor “Well it shouldn’t be, it’s English.”
• Alydon “If they call us mutations...what must they be like?”
• Dalek [to Susan] “Stop that noise!”
• Alydon “Look at our planet.  This was once a great world, full of ideas and art and invention.  In one day it was destroyed, and you will never find one good reason why we should ever begin destroying everything again.”
• Dalek “The only interest we have in the Thals is their total extermination.”
• Ganatus “If only there’d been...some other way.”

Script Hell
• Ian “We must find a way of getting down.”  The Doctor “Yes, but how, dear boy?”  Barbara “Isn’t this a door?”  Ian “Yes!  Doctor!  Open it!”

Catchphrase
• Dalek “Ex-ter-min-a-tion, then?”
• Dalek “They are to be exterminated.  You understand?  Exterminated.”

The Doctor’s Achievement
He appears to have aided in the destruction of the Dalek race, allowing the Thals to reclaim their planet.

Body Count
A sharp rise from the first story, as every single Dalek is apparently killed here.  Deaths amongst the Thals include Temmosus and Tokanda at the ambush, Elyon and Antodus on the expedition and three unnamed Thals during the climactic battle.  So let’s call the on-screen total:
12.

Chekhov’s Plot Device
Chekhov’s Fluid Links.  But this one doesn’t really count.  Really, Chekhov’s narrative structure would dictate that the method used to destroy the Daleks in episode 7 would be somehow linked to the Fluid Links or something else mentioned early on.  But no, they find a handy off switch instead.

Dalek history
• The Daleks are mutated creatures, disgusting to the Human eye, which reside in dome-shaped metal machines with knobbly protrusions on the lower section.  They have an eyestalk, a weapon and a third arm that ends in a sucker - they use this arm to carry items, presumably through magnetism.  It seems very unwieldy.  They have a harsh, grating voice, made more so by the machines’ microphone system.
• From what we see of the Dalek creature in the cell, we know it is light and small enough for the Doctor and Ian to carry, but we do not see enough to determine what it is we see emerging from the cloak.
• The Daleks are powered by static electricity, and leave an acrid smell as they move, like fairground dodgems.  This means they can only move on metal.
• The Dalek weapons can fire to kill, but can also temporarily paralyse.  They can seriously damage walls, too.
• Kristas is hit by a presumably lethal blast, yet survives.  It is not clear whether this is a failure in weaponry or some special strength in the Thal.  In any case, it proves the Daleks are not infallible.
• Oddly, considering how ruthless they are later shown to be, the Daleks do not threaten to kill Ian at first, but merely to make his paralysis permanent.
• The Daleks have not always been this way.  According to the Thals, they were once known as Dals, and were teachers and philosophers.  The Thals were the planet’s warriors.
• Five hundred years ago, the Daleks/Dals and the Thals fought a neutronic war, which petrified the surface of the planet in a single day, leaving it intensely radioactive.  The Daleks sheltered in their city and their machines, while the Thals remained outside as small-scale farmers and apparently mutated.  The Doctor speculates that mutation has come full circle with the Thals, but has not yet with the Daleks.
• The Thals carry around a history of their people going back half a million years, all stored in a big drum.
• The Thals do not know the Daleks are still alive until Susan tells Alydon.
• Ian suggests that the Daleks’ hatred of the Thals stems from “dislike of the unlike.”
• The five hundred year conflict is apparently ended by the destruction of the Daleks’ power source, killing them all.

Dudley!
• The composer has a trick of starting an orchestral swell when something dramatic is mentioned, waiting for the camera to pan across all four time travellers then letting rip with an enormous CLANG!  This is first notable after the Doctor says “Unless we get treatment, we shall die” in episode two.

Notes
• For the second time in as many stories, the travellers are startled by finding a dead animal in the middle of a forest.
• The series’ first alien monster is the dead Magneton.
• The series’ first really dreadful performer is Virginia Wetherell, playing Dyoni.
• The Doctor admits to suffering from the generation gap with regard to Susan.
• Ian wonders how the city’s inhabitants use their intelligence, and the Doctor fobs him off, saying it doesn’t matter.  One suspects he quickly learns his error.
• The Thals seem a very sexist race - even Dyoni says it would have been better to give the drugs to a man.
• During the false argument scene in the cell, the Doctor proves that he is a rotten actor.
• What exactly is the large object that they lob onto the lift car?
• Antodus’ cowardice in the tunnel is foreshadowed early on by Ganatus’ denying that his brother is afraid of the dark.
• Ian uses the phrases “human” and “human being” quite freely, and no-one objects or questions.
• Likewise, the use of the phrase “solar system” suggests that this refers to any system of planets orbiting a sun, and not just that of Sol.
• The Doctor mispronounces Ian’s surname as “Chesserman.”
• There is a wonderfully surreal scene where a Dalek is adversely affected by the Thal drugs and starts wailing pitifully.
• The action of this story takes place over several days, yet, with exceptions such as Barbara’s adoption of Thal trousers, the TARDIS crew do not seem to change their clothes throughout.  Come to that, they’re the same clothes they wore in the previous story!  They must smell a bit by now.
• Quite a close, potentially romantic relationship forms between Barbara and Ganatus, culminating in a very tender kiss on the hand.
• Alydon asks where the Doctor is from.  He skilfully dodges the question.

Queries
• How did the war start?
• Is the Fault Locator also indicating the faulty device for disguising the TARDIS exterior, and everything else that’s wrong with the Ship?
• Why has it taken the Thals so long to approach the city?  Or have they coincidentally arrived here at the same time as the TARDIS?
• Did the Daleks really start doling the anti-radiation drugs out to their workers in droves without testing them out first?
• We are told the Thals once travelled in space:  so, presumably, did the Dals.  Have they lost this technology despite keeping that for neutron bombs etc?  Otherwise why are they trapped in their city?
• Is it not possible that there are members of the Dalek and Thal races out there in space somewhere from the days when they did have space travel?

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On-screen Credits
CAST
Dr. Who - William Hartnell, Ian Chesterton - William Russell, Barbara Wright - Jacqueline Hill, Susan Foreman - Carole Ann Ford, Dalek voices - Peter Hawkins; David Graham (2-7), Daleks - Robert Jewell; Kevin Manser; Michael Summerton; Gerald Taylor (2-7), Temmosus - Alan Wheatley (3-4), Alydon - John Lee (3-7), Dyoni - Virginia Wetherell (3-7), Ganatus - Philip Bond (3-7), Antodus - Marcus Hammond (4-7), Kristas - Jonathan Crane (4-7), Elyon - Gerald Curtis (4-5), Thals - Chris Browning; Katie Cashfield; Vez Delahunt; Kevin Glenny; Ruth Harrison; Lesley Hill; Steve Pokol; Jeanette Rossini; Eric Smith (7).
CREW
Written by Terry Nation.  Title Music by Ron Grainer with the BBC Radiophonic Workshop.  Incidental Music by Tristram Cary.  Costume Supervisor - Daphne Dare (7).  Make-up Supervisor - Elizabeth Blattner (7).  Story Editor - David Whitaker.  Designer - Raymond Cusick (1-5,7); Jeremy Davies (6).  Associate Producer - Mervyn Pinfield.  Producer - Verity Lambert.  Directed by Christopher Barry (1-2,4-5); Richard Martin (3,6-7).

Familiar Faces
SF aficionados may recognise Dalek voice man David Graham as the voice of Brains from Thunderbirds, and his colleague Peter Hawkins as one of the mice from The Hitch-Hiker’s Guide To The Galaxy.
Writer Terry Nation was later to move on to creating his own TV series, namely Blake’s Seven and Survivors.

Review
This has never been a story I’ve been able to warm to especially.  Maybe this is down to having seen the decidedly inferior Peter Cushing version first.  Still, there’s no denying its importance in establishing the series as a hit.  The Daleks come across well, and the Thals make for an effective, if wet contrast.  The running time is a little long, but no individual episode seems to drag too much.  The design deserves especial note, the Dalek city’s interiors being very distinctive and memorable.  The storyline is open to criticism - it takes a very simplistic view of the effects of radiation, and ignores several fairly obvious holes - but it’s impressive how much information is crammed into the story about the history of Skaro without ever seeming like it.  The climactic battle, unfortunately, is farcical, and the Daleks are destroyed far too easily.  In its favour, though, the mass death of the evil creatures is made to seem tragic, and this bodes well for the series’ future moral stance.  On the whole, a flawed batch of episodes, but largely enjoyable and crucial in gaining popularity with the audience.

Rating
7 / 10 

Friday, 13 July 2012

Worst Titles Ever

I like a list. Most of us like a list. It appeals to the average Dr Who fan. It's also a nice easy way to do a blog entry for the first time in weeks.

MY 15 WORST STORY TITLES

15. Planet of the Dead
Not only is it nondescript, it virtually rehashes the fifth ever episode title (The Dead Planet).

14. The Deadly Assassin
For unnecessary tautology.

13. Revelation of the Daleks
Something "of the Daleks" had to be in here. From Troughton onwards, this was the lazy way to name a Dalek story, but Resurrection started a trend of using long words beginning with R. I've picked the season 22 closer because there's just no real revelation involved. But I nearly went for Planet of the Daleks on the basis that it doesn't take place on Skaro.

12. Galaxy 4
Story named after the galaxy containing the planet Drahva. Which doesn't appear in the story.

11. The Family of Blood
A dramatic title. Unfortunately, the eponymous Family menaced Martha and the Doctor throughout the preceding episode too. It's as if "The Daleks" was the title for episode 3 of Serial B rather than episode 2.

10. Colony in Space
Yes indeed, this story contains a colony and it is in space. Thoroughly dull and vague title. Other contenders: City of Death, The Invasion.

9. The Android Invasion
Way to spoil the plot twist.

8. Terminus
Possibly the most boring thing you could name a story after.

7. 42
What was this about? Presumably a clever spin on 24 because it unfolds more or less in real time, this might have been a better conceit if the story itself somehow recalled 24. Or seemed aware of its real-time status. As it is, "42" fails to evoke anything about this adventure.

6. Aliens of London / World War Three
Extra credit for squeezing two terrible titles into one story. The former is clearly a placeholder name; it sounds like a spoof. The latter promises something it doesn't deliver.

5. Four to Doomsday
Numbers should clearly be avoided. This story title simply makes no sense grammatically and sounds clunky. (Ghost Light was also considered for similar reasons.) This whole era suffered from bad title-itis, as you will see.

4. Time and the Rani
Huh? Let's pick one barely-relevant concept and the villain, pair 'em and you're done! Other possible examples: Thought and Davros, Gravity and the Sycorax, Spurious Morality and the Valeyard. (Vincent and the Doctor nearly made it in. I mean, why not Reinette and the Doctor? Another placeholder, clearly.)

3. 100,000 BC
I refuse to use this name. Not because it's wrong or inaccurate. Just because naming the story after the year when three quarters of it might take place sounds crap and sets a dangerous precedent. Mind you, would have helped with UNIT dating.

2. Doctor Who and the Silurians
They're not from the Silurian era. His name isn't Doctor Who. Most of all, no other story has EVER put that prefix in the title sequence. How did no one notice?

1.
First place to those stories which seem to think a single, incomprehensible word will sell a story effectively. It begins with Shada and Meglos, then the two Bidmead stories whose titles at least hint at their contents. Later, there's Frontios. But the winner is...

Kinda

Its pronunciation is ambiguous, it's a boring word anyway, it looks like it's "kind of" a story and the Kinda aren't even the villains.

Bubbling under were The Dominators (cos it sounds kinky) and The Massacre of St Bartholemew's Eve (cos it's too long and a day early).