Sunday 26 August 2012

The Exciting Guide to The Keys of Marinus

They can't all be classics. Here's my take on Terry Nation's second Doctor Who story.

Quick reminder:
For previous posts, you can scroll around this site, or go to my Facebook page (http://www.facebook.com/ExcitingGuide) which will link only to those parts of my blog devoted to the Exciting Guide. If you need to understand what I'm doing here, there's a link to my intro here: http://chapwithwings.blogspot.co.uk/2012/02/watching-every-tv-adventure-of-doctor.html



Story Five
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Story Code
E

Title
The Keys Of Marinus

“Friends” Title
The One With The Men In Wetsuits
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Episode Titles
The Sea Of Death
The Velvet Web
The Screaming Jungle
The Snows Of Terror
Sentence Of Death
The Keys Of Marinus

Current availability
All six episodes exist.

Source
UK Gold omnibus repeat transmission.

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Date
3100 BC.
Again, there is no point of reference to place this story into an Earth time scale.  So why not date it as above?

Genre
Quest

Plot synopsis
1.         The travellers land on an alien island, and discover a glass beach and a sea of acid.  A number of creatures in wetsuits - the Voords - arrive in glass submersibles.  One by one, the TARDIS crew fall through moving panels in the large building that dominates the island and are imprisoned by a cowled man - his name is Arbitan, and he releases them once Ian has saved his life from a Voord.  He asks the travellers to collect together microcircuit keys from around the planet, so as to re-animate the Conscience Of Marinus.  They refuse, and he imprisons the Ship in a forcefield to leave them with no option.  He hands out travel bracelets programmed to transport them to their destinations.  Barbara vanishes early, and the others soon follow.  Arbitan is killed by a Voord.  The Doctor, Ian and Susan arrive in a corridor to find Barbara’s bracelet with blood on it.
2.         There is a cacophony of light and sound, and Barbara is discovered in luxury, the blood having come from a scratch.  Their “Host”, Altos, claims they are in the city of Morphoton, where everyone is contented - everything is provided for them.  They all sleep, and a girl places discs on their foreheads:  Barbara’s falls off.  In the morning, Barbara sees the reality - rags and dirt - while the others remain deceived.  She runs off, and meets up with Sabetha, the girl who placed the discs.  Altos reports to three Brains in jars, who order Barbara and Sabetha killed.  The other travellers are brought under the Brains’ control, and Ian captures Barbara, taking her to the Brains.  She destroys them, and their control vanishes.  Rioters burn the city.  The travellers meet up with Altos and Sabetha - both past emissaries from Arbitan (Sabetha is his daughter).  The Doctor uses his dial to go ahead to find the fourth key, while the others move to the second.  Susan arrives first, finding herself in a jungle full of horrible screaming noises.
3.         The others arrive and calm Susan.  They search the dense vegetation around a nearby building.  Barbara finds the key on a statue:  as she takes it, the statue swings her through a wall.  Altos and Susan go ahead to the third destination, presuming that Barbara can now use her travel dial, but Sabetha realises the key is a forgery.  She follows Altos and Susan, while Ian goes after Barbara.  They elude a number of traps, laid by an old man guarding the real key.  The jungle’s growth has been stimulated, and the vegetation attacks the building, killing the old man.  Ian and Barbara find the key from his dying clues, and escape to a bitterly cold environment.
4.         They pass out from the cold, and are taken in by a huge, bearded trapper called Vasor.  Ian goes looking for Altos and finds him unconscious, bound by Vasor, who has also filled Ian’s bag with raw meat to attract wolves.  They return to Vasor’s hut in time to save Barbara from his advances, and force him to lead them to the cave where he has left Susan and Sabetha.  They follow the girls along tunnels of ice through a mountain, but Vasor traps them all by detaching a rope bridge across a ravine.  They find the key in a block of ice surrounded by four lifeless soldiers - as the ice melts, the soldiers come to life.  They improvise a bridge and escape with the key.  Vasor is killed by the soldiers.  Ian materialises in a vault with the final key on display and a dead man on the floor.  Someone knocks him out, steals the key and escapes with alarms ringing.
5.         Ian awakes to be interrogated by Tarron, under suspicion of theft and murder.  The Doctor turns up, and agrees to defend him - the murdered man was Eprin, another of Arbitan’s envoys.  The Doctor quickly deduces that the murderer was Aydan, the relief guard on the vault, and gets Sabetha to name him in court - Aydan gives himself away and is about to confess when he is shot down, much to the apparent dismay of his wife Kala.  Ian is taken for execution under suspicion of working with Aydan.  Meanwhile, Barbara receives a phone call from Susan, who is being held captive, and will be killed if the location of the key is revealed.
6.         Barbara, Altos and Sabetha go to see Kala, who accidentally gives her implication in the plot away - she killed Aydan and has Susan tied up in the next room.  Susan is rescued just before Kala is about to kill her:  she is arrested, but names Ian as her accomplice.  This is proved false when the Doctor and some of the local guardians lie in wait for the mastermind as he collects the key - it is the court prosecutor, Eyeson, and the key is hidden inside the murder weapon.  The travellers leave Millennius and return to the island.  The Voords now control the Conscience, and their leader, Yartek tries to gain possession of the final key, first by interrogating Altos and Sabetha, then by impersonating Arbitan in an attempt to trick Ian and Susan.  Ian gives Yartek the false key, and they all escape from the building before Yartek inserts it in the Conscience, setting off a chain reaction that blows the whole lot up.  The Doctor advises Sabetha that Arbitan’s work can go on, but without a machine to control men’s minds.  Altos and Sabetha plan to return to Millennius, and the travellers depart in the TARDIS.

Pitch
Six stories for the price of one.

The Money Shot
The opening model shot of Arbitan’s island. (Episode 1)

The TARDIS log
• The Ship is not heard to make its usual groaning sound on arrival and departure from the island.  Is this because we see both from a distance?  Or is that sound only heard inside the TARDIS?
• The Ship’s colour television is on the blink.

Alien Worlds
• We see many different areas of Marinus, suggesting it is as varied and natural a planet as our own.  Which is nice.
• Two thousand years ago, the technology of Marinus reached a peak with the development of the Conscience of Marinus, a machine that acted as an infallible judge and jury, which was eventually improved until it controlled the minds of everyone on the planet, eliminating evil.  The planet prospered for seven centuries.  A man called Yartek overcame it, with his followers, the Voords.  Arbitan, the keeper of the Conscience, removed the five vital microcircuit keys, keeping one and spreading the rest around the planet, thus keeping control of the machine from the Voords but allowing the possibility of reviving the Conscience one day.
• The Conscience is kept in an enormous labyrinthine building on a well-defended island, blessed with a glass beach and surrounded by a sea of acid.  It’s covered in large spiky bits, and there is a complete absence of life (birds etc.)
• One city on Marinus is called Morphoton, and at the time of the travellers’ visit, is ruled over by three Brains who outgrew their bodies, and use hypnotism - via their subtly-named “mesmeron” and “somno-discs” - to make the humanoid population serve them.  True to form, this regime had been overturned by the time the TARDIS crew left.
• Another city, Millennius, is described as “a highly advanced society”, despite the topsy-turvy laws - here, a person is guilty until proved innocent, and sentence comes at the start of the trial.
• The rarity of murder in Millennius, and their inability to forge an adequate legal system, suggests the effects of the Conscience’s withdrawal - on the plus side, crime has remained at a low, but on the other hand the citizens are unprepared to deal with what crime there is.
• However advanced Millennius is, they still use telephones.
• There is a freezing cold, possibly polar region of Marinus, with miles between villages.  Volcanic springs are to be found deep beneath the ground.
• In another region, the dense jungle has had its “tempo of destruction” increased so that hundreds of years’ erosion on a building is done in a matter of days.  How did this happen?  Ian and Barbara read about it in the old man’s diary.  He was a biologist - did he somehow cause this?
• We are told that Yartek and the Voords overcame the Conscience.  Then we discover they look nothing like anyone else on Marinus - they have enormous handles on the backs of their heads, for starters.  Were there always two distinct races on the planet? - Yartek claims “there are many races of men on Marinus.”  Was the Conscience always ineffective on the Voords?  Why do some of them have spikes on their “noses”, but Yartek doesn’t?  How much of what we see is Voord, and how much is wetsuit?  I think we should be told, as it’s a curious omission from the script.

Script Heaven
• The Doctor “Sensuous and decadent...but rather pleasant.  I say, is that a pomegranate?”

Script Hell
• Barbara “I believe you’re under some deep form of deep hypnosis.”

Catchphrase
• Tarron “Who is he?” Ian “Who?  He’s a doctor.”

Name-dropping
• The Doctor claims to have met Pyrrho.

The Doctor’s Achievement
• The TARDIS crew have prevented the Voords from controlling the minds of the population of Marinus - and, while they were at it, have freed the oppressed population of Morphoton and uncovered a conspiracy in Millennius.

Body Count
Three Voords in episode one, one more in episode six (plus all those destroyed in the climactic explosion).  Other casualties include Arbitan, Eprin, Aydan, Vasor, the old man in the jungle, one ice soldier and the three Brains of Morphoton.  So the total is, at the very least:
13.

Don’t move!  Or the girl gets it!
• Vasor grabs Susan as the ice soldiers attack his hut.  “You’ll stay!” he demands, “or I’ll kill her!”

Hypnotised left, right and centre (and friends)
• The entire population of the city of Morphoton, as well as on the TARDIS crew.
Hypnotism:  2 instances.

Chekhov’s Plot Device
Chekhov’s Fake Key Of Marinus.  At last!  A true Chekhov’s Gun moment!

EffectsWatch
• The effects in episode one veer from a great model shot of the island to the iffy illusion used to make Arbitan’s building seem huge to the Thunderbirds-style arrival of the submersibles to the appalling effect of a Voord falling down a shaft.
• The hands grabbing Barbara in episode 3, supposedly those of a statue, are clearly human.

Whoops
• If you look closely, I’m sure there’s an unexpected foot in the bottom right hand corner of the screen just as the Doctor falls into Arbitan’s building.
• An awful lot seems to have happened between episodes one and two - Barbara has changed her clothes and been introduced to Altos - yet only seconds have passed.
• The Doctor inexplicably knows Altos’ name.  To be fair, maybe this is a by-product of the mind control (but we’re really stretching things here).
• When Aydan knocks Ian out at the end of episode four, he blatantly hasn’t touched him.

Notes
• Ian is still dressed as he was in Marco Polo, suggesting - but not proving - that this story carries on directly from the last.
• The Doctor is absent from episodes three and four, as the actor took a holiday.  Maybe this is why he gets some great stuff to do when he returns - notably his Poirot act at the scene of the crime, and his barrister act in court.
• Catch Susan and Barbara’s excuses for Ian’s sexism/chivalry in The Screaming Jungle.  Wow, revolutionary feminist stuff.  Girl power.
• There is some surprisingly adult content in this story, from attempted rape (Vasor and Barbara) to wife-beating (Aydan and Kala).
• The Doctor claims he has never encountered a sea of acid before in all his travels.  Odd, you wouldn’t think such things were that rare.  Plus, he and the others instantly assume that it and the glass beach are a defence mechanism deliberately engineered.  It never seems to cross their minds that such things could be natural.
• Yartek’s people are referred to both as the Voords and the Voord.
• After Marco Polo’s omni-electrometer, this story gives us a mesmeron and somno-discs.  The galaxy seems to have a distinct lack of imagination, as well as prevalent Latin and Greek roots.
• The Brains are supposed to be very intelligent, yet are not above intoning “kill them” over and over again for no very good reason.
• Ian observes that Altos doesn’t blink.  Why is this?  They aren’t hypnotised through the eyes.
• The Doctor describes a cyclotron as a “simple toy.”
• There are many great sights in this story, and one of the best is the Doctor admiring a dirty mug, speculating about what he might be able to achieve with “instruments like these.”
• Was Arbitan supposed to warn his emissaries about the old man’s traps?  Why didn’t he?
• Ian claims the ravine in the mountain is too wide to jump, but it looks no wider than the one in The Daleks.
• The scene in episode 5 where Eyeson answers the phone completely destroys any suspense about who the villain might be.  Why is this scene there?
• The Doctor gets Sabetha to deliberately perjure herself (under our law, at any rate).
• Try watching the scene in episode 6 where the Doctor unmasks Eyeson without screaming “And I would have gotten away with it too, if it hadn’t of been for you meddling kids!”
• Check out that disguise Yartek tries on Ian and Susan!  Oh come on!  No-one’s going to fall for that!
• Ian says he will give the surviving Key of Marinus to the Doctor as a keepsake.

Queries
• What is DE3O2?
• Are the glass beach and the acidic sea natural?  Or did Arbitan create them?
• How do the Brains of Morphoton speak?
• It seems very easy to defeat the Brains.  What exactly did Barbara smash?  Wouldn’t you have gone for the Brains themselves?
• Why do Ian, Barbara and Altos leave the dials and keys in Vasor’s hut when they go to the mountain?  It would have made things much easier if they’d taken them along.
• What’s the deal with those ice soldiers?  Who froze them?  How?  Are they alive?  Dead?  Undead?  Are they, as Vasor claims, demons?  No-one even stops to wonder about this, and it seems a massive plot contrivance.
• So what does cause that encroaching jungle, then?
• If the Doctor can just claim to be from Arbitan and have the key in Millennius handed over by the judges, why didn’t Eprin do this when he first arrived?  Why did he and the Doctor plan to steal it?
• If it’s impossible for the mesmeron to work on anyone who’s seen the truth, how did they ever get it started in the first place?
• Why does Susan always have to act like such a pathetic little child?
• We really can’t ignore the language thing any longer.  Somehow, the TARDIS crew are able to understand everything said to them by cavemen, Daleks, Thals, Voords, and people all over Marinus (the amount of hopping around they do, on Earth they’d have run into at least three language barriers).  How is this possible?  Come to that, it’s unlikely enough that the Doctor and Susan speak fluent English.  And while we’re on the subject, what language exactly were the Mongols, Venetians and other races in Marco Polo speaking?  Unless some kind of explanation is given, this is a big cop-out.

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On-screen Credits
Taken from The Television Companion.
CAST
Dr. Who - William Hartnell, Ian Chesterton - William Russell, Barbara Wright - Jacqueline Hill, Susan Foreman - Carole Ann Ford, Arbitan - George Colouris (1), Voords - Martin Cort (1,6); Peter Stenson (1,6); Gordon Wales (1), Altos - Robin Phillips (2-6), Sabetha - Katharine Schofield (2-6), Voice of Morpho - Heron Carvic (2), Warrior - Martin Cort (3), Darrius - Edmund Warwick (3), Vasor - Francis de Wolff (4), Ice Soldiers - Michael Allaby; Alan James; Peter Stenson; Anthony Verner (4), Tarron - Henley Thomas (5-6), Larn - Michael Allaby (5-6), Senior Judge - Raf de la Torre (5), First Judge - Alan James (5), Second Judge - Peter Stenson (5), Kala - Fiona Walker (5-6), Aydan - Martin Cort (5), Eyesen - Donald Pickering (5-6), Guard - Alan James (6), Yartek - Stephen Dartnell (6).
CREW
Written by Terry Nation.  Title Music by Ron Grainer with the BBC Radiophonic Workshop.  Incidental Music by Norman Kay.  Costumes - Daphne Dare.  Make-Up - Jill Summers.  Studio Lighting - Peter Murray.  Studio Sound - Jack Brummitt; Tony Milton.  Production Assistant - David Conroy; Penny Joy.  Assistant Floor manager - Timothy Combe.  Story Editor - David Whitaker.  Designer - Raymond P. Cusick.  Associate Producer - Mervyn Pinfield.  Producer - Verity Lambert.  Directed by John Gorrie.

Familiar Faces
George Colouris can otherwise be seen in Orson Welles’ chart-topping film Citizen Kane, as Kane’s banker guardian.  “I think it would be fun to run a newspaper!?!”

Review
The extended plot explanations above, as well as the unusual number of queries, give the correct impression.  Terry Nation has taken a handful of passably good ideas, and sandwiched them all together into six episodes, which gives the story a disjointed feel.  The events in Morphoton, for instance, could surely have supported a story by themselves, while those in Millennius certainly could - the Doctor’s scenes defending Ian are amongst the most enjoyable in the story.  This resembles nothing more than a collection of short stories, and suffers as a result - the casual viewer has nothing to grab hold of to make one care what happens next episode, and those of us looking deeper into it find glaring plot holes.  Frankly, with about 20-30 minutes per section there is nowhere near enough time to explain any given situation, so we are left completely perplexed as to what happened to that jungle, for instance, or where those ice soldiers came from.  The only linking thread is the regular cast, and unfortunately they are largely becoming rather annoying.  Susan is forever squealing and crying, while Barbara and Ian spend all their time not believing each other.  To be fair, it’s more an aberrance in this story than a universal trait of the series, but they do all appear slightly thick.  The exception is William Hartnell as the Doctor, but this is attributable in part to his complete absence from the most irritating episodes.  Even the framing Conscience plot is not wholly thought out, and by the end everything seems very unsatisfactory.  Although there are many things to like here - there are strong guest performances from Fiona Walker and Katharine Schofield, and the direction is occasionally inspired, especially in the “point-of-view” sequences in Morphoton - it has, in the end, to be marked down as Doctor Who’s first real failure.

Rating
3 / 10 

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